The Somethin’ Else Electronic Music PotluckJune 9th, 2010

This Friday, June 11, 2010 is the first in a series of events put on by Jon Davis called The Somethin’ Else. This instance is subtitled Odd Couples and features duets that have one artist producing electronics with a second, in contrast, mostly acoustic player. The performers include the following:

Jon Davis & Elaine Evans
Brett Bullion & Chris Smalley (Burnsville)
Steve Goldstein & Scott Fultz
Tim Glenn & Jeremy Ylvisaker (Siamese Bug)
John Keston & Graham O’Brien (Ostracon)
Adam J To & Dejen Tesfagiorgis

The event is located at the Stevens Square Center for the Arts, 1905 3rd Ave S., Minneapolis, MN (above the 3rd Ave. Market). The music starts at 7pm and goes until 10pm. All ages are welcome. A $5.00 cover is optional if you bring food or drink to share. It’s a potluck!

Unearthed Music artist, Ostracon (John Keston on electronics and Graham O’Brien on drums), are performing at the show at 7:30pm. Expect to hear some angular GMS layers combined with Graham’s on-the-verge-of-chaotic drumming.

Experimental Music Mondays the FourthJune 2nd, 2010

Part four of the Experimental Music Mondays series begins at 9:00pm on May 31, 2010 at the Kitty Cat Klub in Minneapolis with Heizerbaum & Panderton featuring Andrea Steudel from MinneapolisArtOnWheels.org, with sound artist Luke Heizerbaum (actually I don’t think that’s his real last name, but let’s go with it). Expect to see some fascinating projections including images from a microscope of a vinyl record as it spins on a turntable.

Next up is Ostracon (John Keston on electronics and Graham O’Brien on drums), who perform generative, improvisational compositions using the GMS (Gestural Music Sequencer), that converts video input into musical phrases. Keston captures, layers, loops and processes melodic segments in real-time out of the stream of notes created by his gestural input, tailored with probability distribution algorithms. O’Brien accompanies these angular, electronic structures, with dynamic playing that, at times, verges on the chaotic. More about Ostracon can be found at audiocookbook.org and unearthedmusic.com.”

Closing the evening is Twenty Thirteen, “a trio, made up of Chris Robin Cox (Junkyard Empire, Minneapolis Free Music Society) playing electric trombone, Bryan Berry playing guitar through tons of effects and loops, and Kahlil Brewington laying down bad ass funky drums. The music is ambient, yet groovy as hell, and incorporates influences as diverse Portishead, Bitches Brew era Miles Davis, and classic hip-hop, drum n’ bass, and dub beats. It’s like nothing you have ever seen live. The band sometimes performs with a fourth member: a television, which sits facing away from the band, and channels can be changed by audience members; the band providing the soundtrack for a television they do not watch. It’s a bit of a social experiment.”

Keston and Westdal at HoneyMay 6th, 2010

Join Keston and Westdal as they experiment live duet style in preparation for their 4th full-length recording endeavor. All new material! Music starts at 7pm. Come early.

The Honey Lounge, formerly Jitters, is in the basement of the Ginger Hop Pan-Asian Restaurant, formerly the Times, in Northeast Minneapolis. You’ll find it on the corner of East Hennepin Avenue and Second Street Northeast. Here’s a map to point you in the right direction.

Gestural Music Sequencer Generative Track CompetitionApril 24th, 2010

Unearthed Music in cooperation with AudioCookbook.org is sponsoring a contest to create a track using the GMS. Unearthed Music will consider placing the winning track on our upcoming compilation, Unearthed Artifacts Volume One.

The rules for the competition are simple. Create an instrumental track using the GMS from AudioCookbook.org. Every layer in the composition must be generated by video input fed into the GMS either through a camera, or by loading a pre-recorded video clip. There are no limitations as to what software or hardware is used to interface with the GMS in order to create the instrument sounds and produce the piece.

Editing and looping of the GMS MIDI output is allowed within reason. Please refrain from looping phrases that are shorter than one bar, or shifting several notes to tailor the melodies. Try experimenting with the note and duration probability distributions. All the drums and rhythmic patterns must be created using the GMS as well.

Write one-hundred to three-hundred words about how you produced your track and post it as a comment to this entry with a link to a 192Kbps or better MP3 file of the complete track. Links to a bio or videos about your process are great too. The track must be licensed under the Creative Commons Attribution-Share Alike 3.0 Unported License. The tracks will be judged by a panel of representatives from Unearthed Music. The submission deadline is Tuesday, June 1, 2010.

ARTCRANK Poster Show Video DocumentationApril 24th, 2010

Video documentation for the 2010 ARTCRANK Poster Show features the track Fe2O3 by Keston and Westdal. The video does a great job of capturing the vibe of the event. Here’s the description posted on vimeo.

The 4th Annual Artcrank poster show. Its an Art Show for ‘Bike People’. Bikes are the world’s most fun and accessible way to get around. Posters are the world’s most fun and accessible art form. ARTCRANK brings them together. ARTCRANK is a showcase of bicycle-inspired original poster artwork that people can enjoy looking at and afford to take home. ARTCRANK began in Minneapolis in 2007, and has expanded to Denver, St. Louis, Portland, San Francisco and Des Moines. Every ARTCRANK show features posters created by local artists from the host city. Admission is always free, and posters are priced to let everybody take home at least one. This year the Artcrank opened at Shelter Studios in NE Minneapolis. If you’re interested in hosting or sponsoring an ARTCRANK show, want to participate as a poster artist, or simply have a question that hasn’t been answered by the previous paragraphs, send us an email and we’ll be happy to help. artcrankpostershow.com